The most complete guide to jazz/blues soloing ever written! This comprehensive book details the sounds, elements, and approaches that make the blues such an integral part of the jazz vocabulary. Moving from blues progressions to fingerboard organization to phrasing, essential blues scales, riffs, lick development, and an array of advanced concepts and devices, including substitute scales & extended super arpeggios are covered.
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Throughout this process 38 solos, over 100 music examples, and hundreds of licks are featured. Written in notation and tablature.
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When learning how to play jazz blues on the guitar, one of the first steps is to be able to improvise over Dominant 7th chords using at least a few different scales and arpeggios to keep things interesting as you build up your improvisational vocabulary. One of my favorite ways to do this is to explore a very particular chord shape, a 7th chord with a 5th string root, that sits nicely on the neck and that contains all of the scales and arpeggios you need to outline 7th chords in different keys all across the fretboard. In this lesson, you'll bring these sounds into your practice routine and out into the jam room as you explore the arpeggios, Major Blues, Mixolydian and Bebop Scales that fit within this chord shape, as well as 3 classic sounding licks that are built from these melodic devices. So grab your axe, turn up your amp, pour your favorite beverage and dig in to these concepts as you expand your Jazz Blues soloing vocabulary. Questions or feedback? Head on over to the Dominant 7th Chord Shape To begin, we’ll look at the chord shape that will underline the scales, arpeggios and licks that we will work through during this lesson. The first two bars in the example below show the open position chords that the moveable shape is derived from.
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